In it’s early days Genesis was not a hit making machine. They were in a category called “progressive rock” or prog rock. Essentially it was mostly long songs, tended to be less vocals and more musicianship. While some of the songs are quite good (and many people enjoyed them all), it is not what we are looking at today.
In fact, nearly all the songs I’ve chosen are from the Phil Collins era. He helped steer Genesis away from prog rock into more of a hit rock act. The original singer Peter Gabriel had his own string of hits as well going solo, but Phil definitely took the group in a different direction (aided by the well rounded duo of Tony Banks and Mike Rutherford).
As usual with this type of article, the songs were not hits, but definitely could have been. Genesis did have quite a few hits, so finding some gems that weren’t proved a challenge.
In order of release:
A Winter’s Tale – This song was released as the second single (non-album), but it flopped. I think it has charm, but maybe the world wasn’t ready for it. It has quiet verses with very little instrumentation and that probably is what helped make it not a hit, but the chorus rises up and has a good melody. [Link in Spotify]
Undertow – Looking inward about power struggles between the conscious and subconscious mind. From the first album without Peter Gabriel, it is written by Mike Rutherford, the guitarist. It has a pleasant-sounding verse that builds up for the chorus with a nice ethereal guitar sound. [Link in Spotify]
Snowbound – Dealing with sorrow and disappointment through the roller coaster of emotions. It harkens back to the wonder of seeing a snowman in winter, how it can put a smile on your face. The song talks about knowing how you aren’t alone in your struggles. Perhaps not hit material, but still a good song. [Link in Spotify]
Many Too Many – A hit in the UK, but not in the US. Another song about heartache and love, also frustration and desperation. It does follow in the vein of Snowbound where it has quiet verses with a chorus that climbs in volume a bit. It fades away in the end, actually feeling shorter than it is. [Link in Spotify]
Man Of Our Times – A quicker tempo song than the previous choices talking about the struggles of social issues, politics and war. A man lost in thoughts, unsure of what to do but striving for tomorrow. It is a majestic song. Even though it clocks in just about 5 and half minutes, it still could have been a hit. [Link in Spotify]
Alone Tonight – A hauntingly beautiful track that captures the feeling of loneliness and compassion. For some dealing with being alone can be challenging, yearning to escape and find companionship. Unlike some of the previous songs it has a bridge that musically helps make it more unique sounding. [Link in Spotify]
Me And Sarah Jane – Coming in at 6 minutes long, this was too long as it is to be a hit, though could have been shortened I suppose. I just like chorus and the synths sprinkled throughout. This song explores themes of nostalgia, lost love and the passage of time. You get a peek into this relationship when love was in bloom. [Link in Spotify]
Just A Job To Do – A strong vocal performance is highlighted in this song and “bang bang bang” it hits (though not on the charts). The lyrics seem to point towards finding someone who did them wrong and getting justice. No matter what you will be found. This song is more guitar driven than most of their songs, which generally rely on synthesizers. [Link in Spotify]
Since I Lost You – Phil Collins wrote this song in response to Eric Clapton’s tragic loss of his son in 1991. It met with the approval of Eric himself. Anyone who has lost a child in such a manner has had their world torn apart. It is difficult to go on in life with your heart broken in pieces but one must. [Link in Spotify]
[Bonus Track] – Fading Lights – Stretching the meaning of a hit song here, this song clocks in at 10 minutes long. So maybe not a hit in the strictest sense, it is a beautiful song in many ways. The vocals speak to relinquishing the past, to remember how things once were. The instrumentation though really carries this song. In their last album as a group (can’t count “Calling All Stations” as it is terrible), they harkened back to the song structure Genesis was known for in the past. Very fitting. [Link in Spotify]
*some excerpts from wikipedia